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Overzicht » Muziek » Rock/Metal » Drummerworld [Laatste update: 30 mei 2007]
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D3ton8oR
Stella-man
Sinds 15/10/2003
T: 37 R: 619
25/5/2007 - 13:51u | Quote
Wegens niet-meer-welkom-in-fun zal ik het hier dan maar zetten 't is de bedoeling da ik da hier regelmatig bijwerk, dus kom af en toe es terugkijken hé

Dave Lombardo (Slayer, Vivaldi, Fantomas,...)

http://www.drummerworld.com/pics/drum38/davelombardo2.jpg
Bron: © http://www.drummerworld.com/pics/drum38/davelombardo2.jpg


When I was in 3rd. grade my class had show and tell day, bashful as I was I brought a set of bongos and a Santana record and played along to a song. My parents put me in a Catholic private school where we lived in Southgate California. They had a school band, I was in that class only for a year, marching drum was not what I wanted but I enjoyed it very much. At age 10 my dad saw my persistent interest in drums and agreed to buy me a 5 piece Maxwin by Pearl drumset for $350.I was a KISS fan at the time and the first record I ever bought was KISS Alive, I taught myself to play "100,000 years". I remember being the talk of the town for knowing that solo. Some guy I knew during that time asked me if I knew the drum solo in the song "Moby Dick". I was very aware of Led Zeppelin but exposing myself to the record Led Zeppelin II showed me a side of music that I wasn't too familiar with, The Blues. An amazing amount of feeling was what this band had, and not only as a whole but the drummer John Bonham played with soo much emotion that I felt I learned that element and took it with me through my career. Later I learned this was Crescendo's and Decrescendo's.

http://www.drummerworld.com/pics/drum38/davelombardo7.jpg
Bron: © http://www.drummerworld.com/pics/drum38/davelombardo7.jpg


I would listen to the radio often I would tune into a show called The King Biscuit Flower Hour, and hear pre-recorded broadcast's of live show's. I'd go to the local record store and buy 45's (records containing one song on each side.) of songs that I would hear on the radio and play along to them. I feel this was a learning period for me. I asked my parents to let me take drum lesson's. That lasted a week, I got extremely bored with LRLLRLRR.I went back to listening and playing along to records. From 10 to 12 years old all I liked was Rock music, but Something strange was happening to me and it wasn't just puberty. I was again exposed to new music. A good majority of my friends if not all were listening to DISCO. And I got into it. It was fun I went to allot of dances and parties was even a DJ for a mobile Disc Jockey called "A Touch of Class" those were great times. I would come home at 4AM And my parents would be pissed and threatened to put me in a military school. Underneath the no collar shirt, pleated pants and stacy adam shoes was a still devoted rock fan. The music I was exposed to at that time showed me the effects of rhythm on the body. The difference of Disco and Rock were so great that it intrigued me and I found that playing along to this music showed me groove. I felt this energy and it was amazing, it made people dance and not just listen, like what rock music was about.

http://www.drummerworld.com/pics/drum/dpa42/davelombardo2.jpg
Bron: © http://www.drummerworld.com/pics/drum/dpa42/davelombardo2.jpg


Summer of 78 still a DJ and still drumming, I was meeting various musicians around town and they would come over and talk with me, and some would bring there guitars and we would jam in my bedroom. We would play songs by Jimi Hendriks like Purple Haze, Foxy Lady and one of my favorites,Fire.Graduating from the private school at 8th grade I went to a private high school called Pius 10th.High school. There were older students and more musicians. There I sign up to be in the talent show. I did a duet with a guitar player named Peter Fashing, we did our own rendition of Johnny B Goode complete with a drum solo. I'll never forget the dress rehearsal the night before. There was sarcasm from another band yelling from a distance calling me Buddy Rich. We brought the house down the following night. I'll never forget the roar of the crowd during the drum solo. The next day at school the word was out, my name was "David the drummer" and everybody knew who I was. Soon after that I formed a band called "Escape" we only had 2 guitar players and played AC/DC Led Zeppelin and Black Sabbath songs In my garage. I had to change school's because I wasn't meeting grade expectations. I went to South Gate High School and found a singer to join the band and still no bass player we played a couple parties under the name Sabotage, nothing came of it. My parents noticed my withdrawal from everything except music I would stay in my room after school and play my drums and listen to music. They nagged me to get a job and quit the band. So I did.

http://www.drummerworld.com/pics/drum/dpa11/Davelombardotama.jpg
Bron: © http://www.drummerworld.com/pics/drum/dpa11/Davelombardotama.jpg


I was threatened by the musicians. I was hearing they were out to "kick my ass"for leaving the group. They never did. One of the guitar players girlfriend, the so-called manager went as far as to write a poem about me leaving the band in the school news paper saying," we'll see who makes it to the top, lets place a bet". I should of made that bet.

Getting a job at the local pizza joint as a delivery boy shut my parents up for a while I was able to talk my dad into buying me a real drumset.And since I had a job I was able to pay him back the loan. I went to Guitar Center in Hollywood and found a TAMA Swingstar drumset and Paiste Rude cymbal package for $1100 I'll never forget the ride home from the store in the back of my dads truck with my drums.

One day I was doing a local delivery and I remembered one of the guys that use to come over telling me about this guitar player that lived 5 blocks away he also told me that he had all these guitars that his dad bought him. I drove by the house and he was outside watering the lawn, I introduced myself to him by saying "hey I heard you play guitar I play drums do you want to jam?" he said,"yeah, Do you want to come by later and check out my guitars?" I agreed and showed up that night, and shared music and bands that each of us liked. His name was Kerry King.

http://www.drummerworld.com/pics/drum/dpa42/daveLombardo5.jpg
Bron: © http://www.drummerworld.com/pics/drum/dpa42/daveLombardo5.jpg


http://www.drummerworld.com/pics/drum17/davelombardo.jpg
Bron: © http://www.drummerworld.com/pics/drum17/davelombardo.jpg







Video: Dave Lombardo @ Modern Drummer Festival Weekend 2000


Bron: © http://www.youtube.com/v/SwPof8RzF9c




Video: Tool - Triad (with Dave Lombardo)


Bron: © http://www.youtube.com/v/ngS7GjHRUsU
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
25/5/2007 - 14:13u | Quote
Danny Carey (Tool / Pigmy Love Circus)

http://www.drummerworld.com/pics/drum37/dannycarey.jpg
Bron: © http://www.drummerworld.com/pics/drum37/dannycarey.jpg


Danny began playing drums at the age of thirteen. As Danny progressed through high schooland then college at the University of Missouri in Kansas City he began supplementing his studies in percussion with speculation into the principles of geometry, science, and metaphysics. A commitment to life as an artist brought Danny to LA where he was able to perform as a studio drummer with projects like Carole King and play around town with Pygmy Love Circus. He would later find an outlet for addressing a fuller scope of his potentials in Tool and another project operating under the title of Zaum. Despite not becoming a Mason or aligning himself with any other school of religion, Danny has maintained his heritages interest in occult studies. Endeavors into this realm have manifested periodically, such as the time he achieved insight into a hidden aspect of the unicursal hexagram utilizing an astral journey initiated through meditation and DMT.

http://www.drummerworld.com/pics/drum37/dannycarey2.jpg
Bron: © http://www.drummerworld.com/pics/drum37/dannycarey2.jpg


Danny then set up his drums into proportions utilizing the circle and square of the New Jerusalem and uttered a short prayer relating to the principles of the ace of swords from the book of Thoth. He then performed a ritual utilizing his new found knowledge of the unicursal hexagram to generate a pattern of movement in space relating to Fuller's vector equilibrium model. The resulting rhythm and gateway summoned a daemon he has contained within "the Lodge" that has been delivering short parables similar to passages within the Book of Lies. Danny recommends as a device of protection and containment a thorough study and utilization of the underlying geometry of the Temple of Solomon for anyone purchasing their next record.

http://www.drummerworld.com/pics/drumpics9/danncareyset.jpg
Bron: © http://www.drummerworld.com/pics/drumpics9/danncareyset.jpg




Equipment:


http://www.drummerworld.com/pics/drumpics9/dannycareycymbal.jpg
Bron: © http://www.drummerworld.com/pics/drumpics9/dannycareycymbal.jpg



Drums: (Diameter x Depth)

* 14"x8" Bronze Snare (by Jeff Ocheltree, made out of recycled Paiste Cymbals)
* 8"x8" Tom
* 10"x10" Tom
* 14"x16" Tom
* 16"x18" Floor Tom
* Two 24"x18" Bass Drums

Danny has been a Paiste cymbal endorser since 1992:

* 7.5" 2002 Cup Chime
* 8" 2002 Cup Chime
* 20" 2002 Novo China
* 6" 2002 Accent Cymbal
* 8" Signature Bell
* 8" New Signature Dark Energy Splash Mark I
* 10" New Signature Dark Energy Splash Mark I
* 18" Signature Full Crash
* 13" Signature Sound Edge Hi-Hat
* 19" Signature Power Crash
* 21" Signature Dry Heavy Ride
* 20" Signature Thin China
* 20" Signature Power Crash
* 5" 2002 Cup Chime
* 11/18" Noise Works Dark Buzz China
* 40" Symphonic Gong

Drum Heads (Evans):

* Snare: Power Center on batter side, Evans Hazy 300 on snare side.
* Toms: G2 clear on batter side, G1 clear on resonant side.
* Bass: EQ3 clear on batter side, Retro Screen Mesh on resonant side.

The hardware is mainly composed of Sonor stands, Pearl Eliminator (previously Axis Longboard) pedals, a Roc-n-Soc Throne and a Pearl RH-2000 remote hi-hat stand.

Danny uses his own signature model of drumstick made by Vic Firth[3]. He previously had endorsed a signature model with Trueline Drumsticks (now Trueline's Tribal Assault model [4]).

He uses several electronic drum pads around his kit, designed for him by Vince De Franco (with Danny's help). These pads are called the Synesthesia Mandala Drums, and have replaced the various Simmons SDX pads formerly in his setup. He uses a program called Battery, from Native Instruments, on an Apple Mac G5 to manage the samples. Additionally, he uses a Korg Wave Drum, a Roland Handsonic and a few electronic pedals.

Videos:

Tool - Lateralus (ending) + interview:

Bron: © http://www.youtube.com/v/JVbFrl9wLBA


Tool - Parabola:

Bron: © http://www.youtube.com/v/K_bLvVSgoV4


http://www.vicfirth.com/products/images/SDC_SDCN.jpg
Bron: © http://www.vicfirth.com/products/images/SDC_SDCN.jpg
HisRoyaldEUS 3.208
wzl-lid
Sinds 23/4/2004
T:0 - R:68
25/5/2007 - 21:35u | Quote
dave vind ik niet zo spectaculair; maar zal meer aan het genre liggen wellicht...
den danny daarentegen...

Laatst aangepast door HisRoyaldEUS op 25/05/2007 21:36:29u (1x aangepast)
Tomz0r 3.174
Dimebag
Sinds 15/12/2004
T:21 - R:1980
26/5/2007 - 13:37u | Quote
Mijne favoriete drummer voort moment:

Chris Adler (Lamb of God)

http://a220.ac-images.myspacecdn.com/images01/47/l_c10d16506f45d376b7fab4235a895863.jpg
Bron: © http://a220.ac-images.myspacecdn.com/images01/47/l_c10d16506f45d376b7fab4235a895863.jpg



Bron: © http://www.youtube.com/v/ZBfDdrSmyIo


Bron: © http://www.youtube.com/v/8LMwK3reNpg

Bron: © http://www.youtube.com/v/WsC9J93ago8

Bron: © http://www.youtube.com/v/AJSp6cGMD9o

Bron: © http://www.youtube.com/v/AeWTKUXm3tU

Bron: © http://www.youtube.com/v/wwN1f3nnEW4

Laatst aangepast door Tomz0r op 26/05/2007 13:51:35u (2x aangepast)
Hawkeye 3.213
Spam Queen
Sinds 31/1/2005
T:1 - R:90
26/5/2007 - 13:42u | Quote
@Tomzor: in de url's van de filmpjes moet ge ? en = vervangen door een /
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
26/5/2007 - 13:44u | Quote
http://www.youtube.com/watch?v=wwN1f3nnEW4 wordt http://www.youtube.com/v/wwN1f3nnEW4 dus
Tomz0r 3.174
Dimebag
Sinds 15/12/2004
T:21 - R:1980
26/5/2007 - 13:55u | Quote
zo beter?
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
26/5/2007 - 13:59u | Quote
Yep
HisRoyaldEUS 3.208
wzl-lid
Sinds 23/4/2004
T:0 - R:68
26/5/2007 - 14:44u | Quote
mijn idool blijft toch wel Jojo Mayer.
Op vlak van techniek speelt hij hier iedereen moeiteloos naar huis.
Op vlak van functioneel spelen kan enkel den danny misschien nog in zijn buurt geraken



Laatst aangepast door HisRoyaldEUS op 26/05/2007 15:16:57u (1x aangepast)
HisRoyaldEUS 3.208
wzl-lid
Sinds 23/4/2004
T:0 - R:68
26/5/2007 - 15:11u | Quote
ter staving van bovenstaande posting, bekijk eens volgend filmpje

hierzo

en weet dat zowat alles pure improvisatie is, met on the spot mixing...

Voor zover ik weet is er niemand anders die ook maar een fractie kan van wat hij hier doet. De beste drummer ter wereld? Ik dacht het wel ja
MetalheaD 3.439
wzl-lid
Sinds 1/9/2004
T:15 - R:1111
26/5/2007 - 17:40u | Quote
mss technisch niet zo sterk, ma ie verdiend wel een vermelding:

Dave Mackintosh (dragonforce)


Bron: © http://www.youtube.com/v/bHdp910gekE
HisRoyaldEUS 3.208
wzl-lid
Sinds 23/4/2004
T:0 - R:68
26/5/2007 - 18:29u | Quote
aan het merendeel van die metaldrummers vind ik persoonlijk weinig speciaals...
Snelheid dat wel, en het zit allemaal wel snor maar van onafhankelijkheid tussen armen en voeten hebben ze nog nooit gehoord... of ze tonen het alvast niet...

Is weliswaar mijn genre niet dus vandaag mijn lichte afkeer wellicht.
Sowieso vind ik wel dat een metal drummer nooit kan tippen aan een goeie jazz drummer, wat die doen is werkelijk fenomenaal!
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
30/5/2007 - 14:50u | Quote
JoJo Mayer:

http://www.jojomayer.com/assets/images/JojoWillisau03large.jpg
Bron: © http://www.jojomayer.com/assets/images/JojoWillisau03large.jpg


Born January 18. 1963 in Zurich, Switzerland. Son of a musician (bass player Vali Mayer), he spent his early childhood on the road traveling throughout Europe and the Far East. At the age of 2 he got his first drum set, and his first public performance took place in Hong Kong when he was only 3 years old. Growing up in the influence of a musical environment Jojo is basically self-taught (autodidact).

http://www.drummerworld.com/pics/drumpics9/jojomayer620.jpg
Bron: © http://www.drummerworld.com/pics/drumpics9/jojomayer620.jpg


At the age of 18 he joined Monty Alexander's group and toured extensively all over Europe, playing all the major jazz -festivals including the North-Sea-Jazz Festival, Montreux, Nice, Antibes, Athens etc.This lead to back-up gigs with other jazz-greats such as Dizzy Gillespie and Nina Simone and introduced him to an international audience.

http://www.jojomayer.com/assets/images/Jojowillisau01.jpg
Bron: © http://www.jojomayer.com/assets/images/Jojowillisau01.jpg


Jojo Mayer performed and / or recorded with a great variety of artists covering a wide range of musical styles such as The Screaming Headless Torsos, Meshell n'dege Occello, Vernon Reid's science project, DJ Spooky, Emergency Broadcast Network, the Vienna Art Orchestra, Wolfgang Muthspiel, Harry Pepl, Gerald Veasley, Monty Alexander, Lunar Crush, John Zorn, James Blood Ulmer, Chico Freeman, George Adams, Jamaaladeen
Tacuma, John Medeski, Family of Percussion, Hiram Bullock, Leni Stern, Depart, Wolfgang Puschnigg, The intergalactic Maiden Ballet, Friedrich Gulda, Harry Sokal, Steve Coleman's 5 Elements, Passport, Wah Wah Watson, and many more.

http://www.drummerworld.com/pics/drum37/jojomayer2.jpg
Bron: © http://www.drummerworld.com/pics/drum37/jojomayer2.jpg


Jojo has also built himself a reputation as a skilled and creative solo performer/ clinician. He appeared at most of the important Industrial Events and Drum Festivals like the Modern Drummer Festival (1998 and 2005), the Buddy Rich Memorial Scholarship NYC (95), the International Drummer-Meeting in Koblenz (89, 91, 95), PASIC (96), the Montreal Drum- Fest (96), the NAMM-Show`s"Drums along the Hilton"(96), int.Slagwerkkrant Dag (96), int. Budapest Dob-Gala (94, 95), Manny`s Drum-Mania NYC (9 and the "int.Musik Messe Frankfurt"(93, 97), to name a view, were he was featured amongst the greatest names in the drumming community today (Vinnie Colaiuta, Dave Weckl, Jack de Johnette, Terry Bozzio, Billy Cobham, Dennis Chambers etc).

http://www.drummerworld.com/pics/drum35/Jojomayerwillisau.jpg
Bron: © http://www.drummerworld.com/pics/drum35/Jojomayerwillisau.jpg


Residing in New York City since 1991, Jojo engaged in numerous activities including Live and Studio work. His international touring schedule has taken him all over Europe, the US, South America, The Far East and Africa. Besides his work as a drummer, he also is involved in projects as a writer and producer.

http://www.drummerworld.com/pics/drum30/jojomayer2.jpg
Bron: © http://www.drummerworld.com/pics/drum30/jojomayer2.jpg


More recently, Jojo has been venturing into New York's Techno / Multimedia / Avantgarde / club scene by promoting his own weekly party event called PROHIBITED BEATZ. This new platform for live "Drum n" Bass", "Nu-Skool Breaks", "Speed Garage" and the latest stylistical hybrids and mutations in DJ culture, has also provided the back drop for his first solo project called NERVE. Described as an "endeavor in reverse engineering the textures and rhythms of the current stream of computer generated music into a live performed, improvisational format", NERVE and PROHIBITED BEATZ have created a reputation in the New York scene that already goes way beyond "a serious buzz".

http://www.jojomayer.com/assets/images/pix13hrweb.JPG
Bron: © http://www.jojomayer.com/assets/images/pix13hrweb.JPG


Recent performances and recordings have earned him rave reviews: Jojo Mayer "...destined for "Drum God" status !"(Modern Drummer magazine).

Jojo Mayer's company endorsements include: Sonor drums, Sabian cymbals, Remo drumheads and Vic Firth drumsticks. Lately he has been involved as a product developer / designer for Sabian (Jojo Mayer Signature "Fierce Ride" & "Fierce Crash" Models), a consultant for Sonor's "Jungle Kit" and as a designer for Vic Firth drumsticks (Jojo Mayer Signature Model). He has also frequently appeared in advertisements, catalogues and publications for the above mentioned companies.




Movies:

1. Solo


Bron: © http://www.youtube.com/v/9Gxl5-4MzDY




2. @ Modern Drummer Festival 2005


Bron: © http://www.youtube.com/v/shIc0ZIcQVo




3. Voetenwerk & wa uitleg


Bron: © http://www.drummerworld.com/Videos/jojomayerbasss.mov

HisRoyaldEUS 3.208
wzl-lid
Sinds 23/4/2004
T:0 - R:68
31/5/2007 - 11:06u | Quote
^^ hoera !

maar mijn filmpje van hem blijft nog mooier vind ik persoonlijk !
Vulcano 2.6
wzl-lid
Sinds 25/10/2004
T:1 - R:58
31/5/2007 - 12:05u | Quote
ej D3ton8or, still waiting for Phill...
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
31/5/2007 - 12:36u | Quote
Vulcano schreef:
ej D3ton8or, still waiting for Phill...


zal deze namiddag es voor kijken
D3ton8oR
Stella-man
Sinds 15/10/2003
T:37 - R:619
6/7/2007 - 14:09u | Quote
Phil Rudd (AC/DC)

Eerste en vooral, ik heb geen deftige videobeelden van rudd alleen gevonden, maar omda hij toch bij een van de grootheden van deze aardkloot hoort zet ik hem er toch met plezier bij.

http://www.drummerworld.com/pics/drumpics2/philrudd.jpg
Bron: © http://www.drummerworld.com/pics/drumpics2/philrudd.jpg


Phil Rudd was born on May 19, 1954 in Melbourne, Australia. Phil made his name with the Colored Balls, a skinhead band formed by guitarist Lobby Lloyd and singer Angry Anderson (who went on to form Rose Tatoo), which terrorized the club circuit during the early Seventies with a ferocious brand of yob-rock.

http://www.drummerworld.com/pics/drum42/philrudd.jpg
Bron: © http://www.drummerworld.com/pics/drum42/philrudd.jpg


Two singles ('Liberate Rock' and 'Mess Of Blues') were the only recognized fruits of Phil Rudd's time with the Colored Balls who, in 1974, changed their name to Buster Brown and went on to record one album ('Something To Say') for the indie Mushroom Records later the same year. But by the beginning of 1975 Phil had had enough, and hardly hesitated when AC/DC offered him the gig.

http://www.drummerworld.com/pics/drum/dpa29/philrudd8.jpg
Bron: © http://www.drummerworld.com/pics/drum/dpa29/philrudd8.jpg


In 1983, at the end of the recording sessions of 'Flick Of The Switch', there were personal difficulties between Phil and Malcolm Young. Their relationship progressively deteriorated, to the point where a physical confrontation eventually took place. Two hours later Phil was out, flying home. Phil elected to retire to New Zealand where he bought a helicopter business and gave up professional music completely.

http://www.drummerworld.com/pics/drum/dpa29/philRudd3.jpg
Bron: © http://www.drummerworld.com/pics/drum/dpa29/philRudd3.jpg


In 1991, when AC/DC were playing in New Zealand, Malcolm and Angus Young gave Phil a call. They hadn't seen him in about ten years. Then, around May 1994, they asked Phil to come and jam with them. He was back in the band.







Bron: © http://youtube.com/v/dBbxNt8DgrQ




en hier eentje waar ge toch maar dan 0.00002 seconden phil in actie ziet:


Bron: © http://youtube.com/v/4IXUsSbueSg


En nog even de setup:

http://www.paiste.com/artists/rudd_p/rudd_p-r.gif
Bron: © http://www.paiste.com/artists/rudd_p/rudd_p-r.gif


14" Sound Formula Reflector Medium Heavy Hi-Hat
19" Signature Power Crash
19" Signature Full Crash
20" Signature Full Crash
18" Signature Full Crash
20" Signature Heavy Bell Ride

Alle maten toms tussen 6" en 18" van Sonor
1 bass drum

http://www.grahamdaviesarizonabay.com/images/04jun07.JPG
Bron: © http://www.grahamdaviesarizonabay.com/images/04jun07.JPG

(andere drummer, zelfde kit)


Up next: Mike Portnoy

Laatst aangepast door D3ton8oR op 6/07/2007 14:10:59u (1x aangepast)
Vulcano 2.6
wzl-lid
Sinds 25/10/2004
T:1 - R:58
6/7/2007 - 18:46u | Quote
1 kleine opmerking, Rudd speelt live wel zonder Ride, veel te grote crash in de plaats (vraag is natuurlijk, waar stopt crash en begint ride maarja...)
 
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